DIRECTED BY:
Gary Sinyor
with clips from Buster Keaton's Seven Chances
WRITTEN BY:
Steve Cohen
CAST:
Chris O'Donnell
Renee Zellweger
Hal Holbrook
James Cromwell
Artie Lange
LINKS:
Now Available:

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Without a good story, the jokes
just fizzle.
There are so many things to like about this romantic comedy. We are, as
any regular reader of our reviews knows, smitten with sentimental date
flicks. The cast, the setting, even some of the lines of The Bachelor were
ready to entertain and even delight us. Anna-Maria has broken out giggling
remembering, "I don’t care about your vagina, I just want to marry
you." Unfortunately, the basic story lacked comedic and dramatic
punch and will likely sink the whole project. When will Hollywood learn
that it can’t make a good movie or much money, for that matter, just by
draping a clever premise with beautiful people and cute dialogue? The only
thing truly reliable and bankable is a good story well told.
If we think about even the most sentimental, far-fetched romantic
comedy, the couple may be cheery or pleasant, but on the inside they are
suffering from isolation, indecision, choosing the wrong person, or some
other deep problem that will ruin their lives if not remedied. As the
couple tangle in their relationship, each person goes through some major
transformation, shedding phobias, selfishness, greed, and other vices. The
comedic crucible is really a purifying process to make each worthy of the
reward of being with his or her chosen one. In Bachelor, the couple
is seemingly meant for each other, but it is more cute circumstance rather
than a confrontation with each other’s insufficiencies that drives the
story.
The premise is that Jimmie Shannon (Chris O’Donnell, who put up his
own money to make this movie) lives in "BachelorVille" as the
last resident among all his friends who have been literally lassoed into
marriage. For the past three years, Jimmie has been steadily dating Anne
(Renée Zellweger). As a reflection of his phobia about commitment, he
botches the proposal to Anne. Then Jimmie’s crotchety grandfather dies,
leaving him $100,000,000, if he marries by his 30 th
birthday, which happens to be by the evening of the next day. Jimmie
botches another proposal to Anne, and she leaves town.
For a scene or two, Jimmie worries that he is giving up his true love,
but as the deadline quickly approaches, he tracks down his old
girlfriends. These ladies run the gamut of differences, from insecure and
clingy, to hard-boiled cop, to a diva who doesn’t even remember him.
Even with the enticement of $100,000,000, no woman who knows Jimmie wants
him. There are some clever twists and interesting roles here. Mariah Carey
plays the haughty opera diva who doesn’t even remember Jimmie. Brooke
Shields plays Buckley, a debutante whose family fortune is slipping. In a
cute sequence at the altar, she stalls the wedding three times while
trying to digest the conditions for getting and keeping the money, but
even for all the loot, she bolts when she learns she has to have a child.
Supporting roles by Ed Asner and Hal Holbrook add charm and off-kilter
advice.
As one would expect, Anne returns in the last minute, not because
of an effort or plan, but by coincidence. Jimmie and Anne are happily
wed, and we are left with a dry taste in our mouths because of the
potential this story had and didn’t take the chance to develop. Even Chris
O’Donnell and Renee Zellweger, actors known to add dimension to films
through their charm, could not fill the void at the heart of this
story.
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