In addition to stringing clever and funny gags and bits, comedy
gives us a chance to laugh at ourselves, at our world, and at our flaws. Some comedies
seem like they were thought up in a brainstorming bull session by knitting a bunch of
"wouldnt it be funny if" ideas. Unfortunately, Bowfinger comes across as
"Wouldn't it be funny if Hollywood tried to laugh at itself."
In a clever and promising premise, a hustling, down and
out producer, acting teacher, and director, Bowfinger (Steve Martin), has a bit under
$3,000 to shoot a film. He collects a script from his "receptionist-accountant"
and assembles a crew including an ingénue off the buss from Ohio, illegals running from
immigration officials, a camera man who "borrows" the camera and exotic cars
from the lot where he works as a property grunge, and two old cronies to be the supporting
cast. Bowfingers film, Chubby Rain, is about drops that fall
containing the seeds of aliens
who then grow inside of humans.
To make it all work, Bowfinger needs an action star. He
approaches Kit Ramsey (Eddie Murphy). Actually, this leads to some genuinely funny lines
about the relative merits of white and black actors delivered in Murphys machine gun
staccato. Ramsey refuses to be in the movie or even read the script, but undaunted by such
trifling realities, Bowfinger lies to everyone that indeed he has bagged the star. Thus
begin the twists and turns that set up the fun.
To shoot the film, Bowfinger rolls the hidden camera
while his stars walk up to Ramsey during his normal daily affairs and deliver crazy
sounding lines about alien invasion and death threats. Funnily enough, the footage works
because Kit is susceptible to believing in alien conspiracy theories. He is almost crazy
with paranoia about what is happening to him and is just barely able to "keep it
together" under the influence of a mind cult.
Two sequences in particular are gut busting hilarious.
In one, Eddie Murphy plays a nerd hired to stand for Kit Ramsey who must cross a freeway.
He is convinced that the drivers are stunt men when in fact they are not. The crossing
combines Murphys brilliant talent for physical comedy with special effects of
superimposed cars and trucks rushing by. In another sequence, Bowfingers dog is
wearing high heals on his front feet to make the ominous clicking sound of an invisible
pursuer in an underground parking garage. The dog walks and stops on command scaring Kit
Ramsey into a panic as he flees to his Ferrari and peels out of the lot.
Part of the problem with the overall story is lack of
focus. While ostensibly the story of Bowfinger and his drive to make his movie, the story
carries a bunch of sub-plots, which are never brought to completion. For example, one
sub-plot is Kit Ramseys affiliation with a mind cult and its oily ominous leader. In
fact, Terrence Stamp plays the role convincingly, and we laughed when he is shown
manipulating Ramseys fears and siphoning his money. Still, the bits in the main
story are not really about Kit Ramsey and certainly not about his cultic involvement.
Also, the film pulls back in critical moments. The
ingénue (Heather Graham) is a bottom feeder, sleeping with everyone in the cast when she
believes they will advance her career. Yet, she pays no price and receives no real
benefit. The slightly over the hill diva (Christine Baranski) never really sees
the folly of her vanity. Jokes and funny situations make us laugh, but for
comedy to really move us and to carry a movie, character flaws must have
consequences.
In a sad note, Robert Downey Jr. has a small role of a
super-suit producer, which he played with reptilian slither. Alas, this may be the last
film we see him in for a while because he is spending time in jail for parole violation
related to drug use.
We wish we could be more positive about Bowfinger, but
we saw no depth to any of the human explorations, which is one of Steve Martins
strengths in his best work.