John
Irving adapted his novel "Cider House Rules" into a touching
coming of age drama. We were amazed at the depth of character portrayal.
Rarely does a film manage to give dimension to such a wide assembly of
people. We praise director Lasse Hallström for the wonderful work he did
with the children and for the authenticity of the human condition that he
helped the actors bring to their performances.
Cider House Rules is set during WWII, and the story follows the
life of Homer Wells (Tobey Maguire) who was born and raised in an
orphanage in Maine. The orphanage serves as the last resort for unhappily
pregnant women. The women and their offspring come under the compassionate
care of Dr. Larch (Michael Caine) and two nurses. Because Homer is the
oldest orphan, and because fortunes turned against his opportunity for
adoption, Dr. Larch trains him in gynecology and obstetrics, and Homer
becomes his aide, acting as a physician in all but name. Homer rebels
against the authority of his "father", Dr. Larch, and heeds the
adolescent call to find his true purpose and power in the world by leaving
the sheltered life of the orphanage even though his career and his future
there are guaranteed. He gets a job in an apple orchard and works with
black itinerate fruit pickers who live in the Cider House.
Homer strives to live according to his convictions. As a young man, he
sees the world in black and white and refuses to consider the complexity
of actual human experience, something he knows little about. The test of
real life begins to break down his convictions, and the first one is his
expectation that adults be responsible with their sexuality so that it
does not lead to unwanted pregnancies. Homer hopes this conviction will
succeed in carrying the weight of his anti-abortion position, but he is
incapable of resisting the first sexual temptation that comes his way.
Step by step, the convictions through which he judges the world begin to
give way to an open heart that learns to respect people even when they
make the most dire of mistakes.
Cider House Rules abounds with well-drawn characters who have long
forgotten or have never learned to live fully. Rather, they let life
happen to them by giving in to circumstances. One of such characters is
Candy (Charlize Theron). She is a beautiful woman whose meaning in life
comes from her looks and the pleasure she gets from drawing men to her.
She says often, "I am not good at being alone." Like so many
women, she sits and waits and does nothing. Eventually, someone or
something will make her decisions for her. She can neither fully love, nor
fully let go off her lovers. She can’t even wrap her mind around what
she truly wants.
No element and no character in this story is simple. We were drawn into
their dilemmas, and we sympathized with their weaknesses. We recognize the
difficult challenge of drawing villains in a sympathetic way. If there is
a villain in Cider House Rules, it would be Mr. Rose, not because
he creates major obstacles in Homer’s journey, but because his ignorance
challenges Homer’s conviction. Delroy Lindo performs magnificently to
allow us an inside view of the cracked psychology of a man who is brutally
possessive of his daughter and at the same time protective and kind toward
her and others. People are strange, complex, unavoidably flawed, and yet
noble in many ways. Cider House Rules dignifies their nobility and
their flaws. Ultimately, Mr. Rose pays a heavy price for his weakness by
realizing and living the pain his actions have caused. In many ways, Mr.
Lindo steals the show with his performance.
On many levels, this movie challenges rules and conventions as the
guideposts for life without espousing "feel good" nihilism. The
story makes a distinction between often meaningless posted rules and the
rules of the human heart and spirit. Those who break the latter pay a
heavy, though often poignant, price for acting in a way that diminishes or
demolishes their personal integrity. One of the immutable rules in human
nature that cannot be broken and that must be dealt with is the pain in
loving a child, rearing it, raising it, and then letting it go. The
character of Dr. Larch shows how difficult that is, even amongst those who
espouse freedom. And Mr. Rose and his daughter play this out in a darker
scenario. Possessiveness has in its nature the seeds of one’s own
destruction.
The movie also broaches the subject of abortion, illegal in that day,
but practiced by Dr. Larch when requested by a woman who is with unwanted
child. Homer has learned to perform the procedure, and though he delivers
babies and provides other medical care in the orphanage, he will not take
part in abortions. Ironically, his ticket out of the orphanage comes
through Candy and her boyfriend who have come for Candy’s abortion. In
the final irony, Homer truly becomes a man when he faces a situation in
which abortion is a humane and moral necessity. He acts accordingly,
breaking his own rules and finding a deeper dignity for his transgression.
Cider House Rules has deeply affected our conversation. Craig spent part of his life as an anti-choice zealot. Even though he has
changed his position, it was incredibly moving to him to see the
pro-choice position developed in purely dramatic terms without preaching
and without the dogma based on politics
and public posturing on either side of the question. There were no speeches here, just the portrayal of
an abortion as the only possible action for a man of Homer’s good heart.
And thus we come full circle with this film. Ultimately, though rules
have a place, and they often express deeper truths and substructures
within human nature, we ultimately must make decisions neither rejecting
nor accepting rules per se but transcending them, taking the proper action
based on the rhythm of the open heart that sheds light on the difficult
situations we face in life.