Arnold Swarzenegger is back on the screen in a different action role.
In End of Days, he plays a vulnerable, down and out ex-cop, Jericho
Cane, who numbs his grief and guilt over the murder of his wife and
daughter by drinking himself into near suicide. Jericho, who supervises a
crew of highly trained security mercenaries, reluctantly winds up
protecting a young woman, Christine York (Robin Tunney), who is destined
to be the ritual bride of Satan (Gabriel Byrne). If the dark lord
consummates with Christine, she will bear the anti-Christ, and our world
will be cast into evil. This opportunity only arises at the turn of every
millennium.
The film's early stages unfold with original and gripping action. In
one sequence, Arnold goes through stunt hoops galore dangling from a
Helicopter while it whips him around and up and down.
The film ends in an ultimate heroic sacrifice to save Christine and all
of us from an unspeakable fate. In a moment of revelation, Jericho sheds
his despair and rage to obtain the purity of heart and realize the right
action to defeat Satan. This is powerful and symbolic. Combining deeper
spiritual and psychological issues, including an action star who questions
the way he uses his guns and fists, with a great fiery spectacle delighted
and terrified us. End of Days is one of those haunting films that
leaves one reeling with images and thoughts. Restless visions from the film
pursued Anna-Maria’s dreams all through the night, and we both found
ourselves engrossed in continued conversation first thing in the morning.
We hope End of Days opens the doors for more depth and thematic
richness in action flicks.
As much as we like this film, we think it could have been even better.
From our review of the official website and other information, this movie
was, like so many others, developed from a clever idea to put Arnold
against the ultimate adversary, the devil himself. To add appeal to the
film, it was themed and timed to deal with the approaching millennial
shift and our latent fears that seem to come with it. In principle, we
have no objection to developing a cinematic story in this way. This is the
staple of the Hollywood development cycle. We also have no quibble with
timing a movie to take advantage of natural emotional ripples, even storm
waves washing through our collective unconscious. We do, however, believe
that a movie that successfully marries serious psychological and spiritual
exploration with action spectacle needs to achieve a higher level of
attainment than required in less ambitious or simpler movies.
End of Days doesn't capitalize on the power of its story because
none of the main characters show a significant internal conflict. We are
given no hint of the source of Jericho’s courage and integrity as
someone who must ultimately rediscover faith in order to resist or fight
the devil. The devil, on the other hand, meanders from being a seducer who
sniffs out the dark secrets in our hearts and thus wins us over, to being
a force behind mindless death and explosions. It is the devil’s ability
to seduce, more than his brute force, that haunts us. In the most powerful
scene in the film, Satan tries to tempt Jericho to give up the location of
the bride-to-be. This is where the devil takes on real dramatic power and
moves beyond a comic book bad guy. He actually makes an enthralling
argument that God is the one who dispenses senseless injustice that took
away Jericho’s family. Jericho resists the devil in a fight scene, which
he wins through trickery, not power. Because even the fists or firepower
of the mighty Jericho are no match against Satan, we expected and hoped
for more emotional and psychological warfare.
Christine is another character that cries for more development. Her
name implies that she is the feminine form of Christ. However, she is not
meant to be a Christ, but to be the mother of the anti-Christ. She was
ritually baptized in snake blood and raised by satanic minions. All of
this is potentially powerful, but Christine hardly rises above the role of
an empty vessel. Without diminishing the impact of the action sequences,
there could have been great tension within Christine’s soul, between her
and the folks who raised her, between her and the devil, and between her
and Jericho
It is easy enough to excuse lapses in continuity with "ah, come
on, its just a movie". Even great films have aspects that show the
strain of trade off for dramatic effect. In End of Days, it seems
as though the holes and lapses stifle the dramatic heart beat of what the
film is intending to convey. In so doing, End of Days loses the
power that lies in the subtext. We fear that the success of this movie
might be tainted by the short cuts in its story development.
All of our misgivings said, we were tickled with the clever word play
between Jericho and his sidekick Chicago played by Kevin Pollak. Kevin
Pollak is, as we all know, a master wry comedian. In this role, he
downplays his sarcastic bent in a blend of loyalty and help for Jericho
that added relief to the drama and made for some powerful moments. There
is some great chemistry between Pollack and Arnold that is ripe for
picking. We think this could be the beginning of something beautiful.
We were also pleased with the integrity of presenting a divided
Catholic Church. Some priests were bent on killing Christine (perhaps akin
to the Pharisees who persecuted Christ). Other priests were committed to
protecting Christine because evil is never defeated by evil, only purity
of heart and faith. Any reader of our reviews knows that we share many
common misgivings about the position and role of the Catholic Church. That
said, though, as lovers of cinematic stories, we admire the integrity to
avoid shallow stereotypes.
Lastly, it is a treat to see and hear the talents of Rod Steiger in the
role of an ex-alcoholic priest who fights to save both Christine and
Jericho.
We think that anyone who likes action will be gripped by End of Days.
We came out pleased. We are suitably haunted and stimulated to
conversation and exploration by this film. We hope you will be also.