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EYE OF THE BEHOLDER (2000)

A psychological thriller with little thrill and muddled psychology.

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Tin

If Eye of the Beholder ever had something to say, that got lost in not knowing how to say it. Slow meandering through abstract psychological and spiritual terrain that carries an art-house flavor and aspires to Hitchcockian tension ultimately falls apart because of the lack of character conflict. Even the charisma and allure of Ashley Judd cannot rescue this film from the incompatible mix of fractured characters and the glitzy spying technology that tries to keep them in touch, symbolically if not literally.

Judd plays Joanna, a cold-hearted serial killer of the men she gets involved with. Ewan McGregor is the high-tech surveillance expert on her tail named simply Eye. They both carry psychological wounds that force them into continuous hiding. What begins as an assignment for Eye turns into his romantic obsession. He recognizes something of himself in Joanna. They both live in a way that leaves them spiritually and emotionally hidden away. She hides beneath wigs and behind a string of superficial relationships, and he hides in the darkness from which he observes others.

Eye loves Joanna, but he knows that she will kill him if she ever finds out how much he knows her. That is her pattern that he has witnessed in grisly detail as she dispatches man after man. Out of the psychology of these two characters comes the shadow of an idea that could have made this film truly beautiful. In her heart and soul, Joanna yearns to be known. She transforms her awareness of Eye's presence into a fantasy about a stranger who follows her like a guardian angel, who knows her every breath, every thought and every move, who saves her when she needs help, but who remains at a distance so that she is never forced to bring her darkness out in the open and face its pain.

For Joanna and Eye, as for all people, finding the strength to face the chains of internal pain is one of the ultimate challenges that leads to the hope that relationships offer. The film endeavors to symbolically capture the distance we must sometimes cross to reach another human being and the battle we must fight to hold on to them.

Unfortunately, to fill the void that arises from the lack of contact between its main characters, Eye of the Beholder relies on Eye’s unintelligible spiritual musings about his daughter. This is supposed to reveal the ghost of his past, but instead, it becomes a confusing mess that is glossed over with frequent display of the high-tech gadgets.

In the end, we neither cared nor abhorred the meeting of the two. We were just glad the film was finally over.

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DIRECTED BY:
Stephan Elliott

WRITTEN BY:
Stephan Elliott

BASED ON THE BOOK BY:
Marc Behm

CAST:
Ewan McGregor as The Eye

Ashley Judd as Joanna

Patrick Bergin as Alex Leonard

K.D. Lang as Hilary

Jason Priestley as Gary

Genevieve Bujold as Dr. Brault

MPAA RATING:
Rated R for some strong violence, sexuality, language and brief drug content.

RUNNING TIME:
109 Minutes

LINKS:

bulletOfficial Site (Destination Films)
bulletIMDb details  & showtimes
bulletRotten Tomatoes Review List

Now Available:

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DVD

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Book 

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