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WONDER BOYS (2000)

The First Gem of the Year! The marvelous cast entertains, enlightens, and touches us in the realistic portrayal of one man's search for meaning and beauty.

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*G*E*M*

The critically acclaimed director of the L.A. Confidential had a lot of pressure on his shoulders as critics and fans eagerly awaited Wonder Boys, his latest feature project. Wonder Boys is a wonder through and through, not necessarily because it makes a grandiose statement, but because it makes a universal statement about that place in life’s journey when we find ourselves at an emotional and spiritual crossroads. This crossroads can come upon anyone at any age, and it marks a point where a life’s purpose seems shrouded in a fog of confusion and indecision. We seem to go in circles, often making fools of ourselves, and sometimes driving ourselves crazy as we urge to find some new direction. To choose where we are going ultimately takes an emotional, psychological, and spiritual survey of where we are, a pause, if you will, that allows us to fully experience the events and people who touch our lives.

Michael Douglas delivers the greatest performance of his career in playing Grady Tripp, a creative writing professor at a prestigious liberal arts college. Grady has long been riding on the fame of his debut novel. His inability to deliver a sequel after several years of writing and over two thousand pages of material begin the rumor that he doesn’t really have it in him anymore. His editor, Terry Crabtree (Robert Downey Jr.) whose career is also waning, comes to town in hopes of reading Grady’s manuscript. Grady’s wife had just left him, and his long time mistress (Frances McDormand), the chancellor of the university and Grady's department head’s wife, had just informed him that she is pregnant with his child. An attractive and talented female student to whom he is renting a room in his house is hitting on him, and a bizarre, young male student, James Leer (Tobey Maguire) adds another set of complications to Grady’s already muddled life.

The stellar cast lead by Douglas allows director Curtis Hanson to weave great performances into a subtly understated pathos. Hanson has noticeably matured in his ability to see his actors through a wide range of emotions delicately balanced with the irony of the situations in which they find themselves. Both humor and poignancy arise out of tangibly authentic humanity. The characters on the screen are as flawed and odd as they can possibly be, yet the combination of writing and acting makes them so close to home that we identify with them completely and immediately.

James Leer, the strange and reclusive student and brilliant writer, through his oddness and imaginative "stories" about his life, begins to pry open Grady’s marijuana addled eyes. The illusions of self-pity and entropy that keep Grady from making real choices begin to strip away. Grady has lost the courage to let his heart and instinct guide him. He can no longer plunge into experience he is really yearning for, but ultimately, he must find that path, and he must follow it despite its uncertainty. If he doesn’t, he is doomed to the life of a hack succoring his old glory and talented young students.

One of the interesting, powerful features of Wonder Boys is that character complications sometimes come from their sexual intertwining, some of it in homosexual relationships. The homosexual involvement is woven in without preaching or obvious agenda, and merely as a part of the complex reality we deal with as human beings in relationships.

Even Terry Crabtree, the character that almost sinks to the cliché of a power driven literary editor/agent, comes across as fully human. Though craven and slick at times, he has the skill and finesse to bail out the writers he champions. Certainly, the editor is feeding of the creativity and gifts that far surpass his, but, on the same token, Grady (the old talent) and James (the new talent) would never have survived without Terry’s intervention.

Wonder Boys is a beautiful mix of life’s questions, mysteries, comedies, and constant opportunities for rediscovery. Sometimes, life challenges us to take a plunge that will remove us from all that is familiar and force us onto a completely new ground. If we want to continue to feel the lightness of spirit and revel in a sense of the deep, calm tingle of destiny, we must dive in.

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DIRECTED BY:
Curtis Hanson

WRITTEN BY:
Steve Kloves

BASED ON THE NOVEL BY:
Michael Chabon

CAST:
Michael Douglas as Grady Tripp

Tobey Maguire as James Leer

Frances McDormand as Sara Gaskell

Katie Holmes as Hannah Green

Rip Torn as Q

Robert Downey Jr. as Terry Crabtree

MPAA RATING:
R for language and drug content.

RUNNING TIME:
112 Minutes

LINKS:

bulletIMDb details  & showtimes
bulletRotten Tomatoes Review List

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